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a new lease of death

Religion and the Ame...

Religion and the American Constitutional Experiment

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The Rose Garden

The Rose Garden

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John Baldessari Cata...

John Baldessari Catalogue Raisonne, Volume 1: 1956-1974

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The Rose Garden

The Rose Garden

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Harold Kerzner Project Management Case Studies

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Troilus and Cressida...

Troilus and Cressida

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Rhyming Life and Death

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A Lovesong for India

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Robert Kelsey What's...

Robert Kelsey What's Stopping You?. Why Smart People Don't Always Reach Their Potential and How You Can

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A Mirror for England...

A Mirror for England

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New Capitalism

New Capitalism

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Throne of the Caesars: Iron and Rust

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The Ascent of Eli Is...

The Ascent of Eli Israel and Other Stories

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City of Saints & Thieves

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Enemy of Rome

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Для информации:

The pioneering conceptual artist John Baldessari (b. 1931) began his career as a painter in the 1950s, but in the subsequent decades he expanded his practice in a new and groundbreaking direction by juxtaposing texts with found photography or appropriated images. These texts questioned the nature of art and the art-viewing experience, suggesting new meanings for the images they accompanied. This interaction of words and images remained a critical aspect of Baldessari's work, even as he branched into other media, such as site-specific installations, drawings, video, sculpture, prints, and multiples. The first of a projected four-volume set, this lavishly illustrated book features about 500 works and chronicles an important shift in Baldessari's thinking during these formative years. Included are such landmark works as the Cremation Project (1970), where Baldessari incinerated the "body" of work he had made between the years 1953 and 1966. The ashes of the cremated works were then baked into cookies, and the rest sealed in a book-shaped urn, which he then presented along with a plaque announcing the "life" and "death" dates. The following year, Baldessari proposed his "I will not make any more boring art" project, which was realized by students at the Nova Scotia College of Art and Design. Baldessari's work and teaching have been greatly influential on a subsequent generation of artists. The book features an essay by Yve-Alain Bois considering Baldessari's ethos as a generator of his artistic practice. Also included are an interview with Christopher Knight and a detailed chronology of the artist's life and work.